FAQ About Rattlesnake Review



1. How hard is it to get
   into RR? What’s your
   rejection rate?

Our acceptance rate is very, very high. RPress is founded on hearing as many poetic voices as possible, at all levels—though we do have a Northern California bias, if any.

 

2. Why no cover letter or
   bio?

I don’t care what you’ve done. That was then, this is now.


3. Why no simultaneous
   submissions or
   previously-published work?

Potential snafus or stepping on the toes of other editors. Some of us are picky about such things, others aren’t. I am. I also want to be credited if you publish your poem in the Snake and then in some other venue. Please let the world know I found your poem first!


4. Do you prefer e-mail submissions or snail?

I prefer e-mail, by far; I really like the cheapness and speed of it, even though I realize it can garble poetry or make subtle changes that are hard to catch. I have no problem with attachments, which are more reliable. If you do send your poems by regular mail, please include an e-mail address (if you have one) so I can talk to you without snailing. (I hate the phone, by the way, and love e-mail, where I can get my thoughts together better.)


5. What if I snail without an SASE?

   Winter downpour—
   even the snake
   needs a raincoat.
        —adapted from Basho

You won’t get your poems back. But no, I don’t throw such submissions in the trash, the way some editors do. We’re all picky in our own (some would say, peculiar) ways.


6. What kind of work do you like?

All kinds—really!—formal, lyric, non-lyric, language, humorous, concrete—pretty much anything done with care. The Snake thrives on a wide variety of poetry; “eclectic” is an understatement. Beginners are more welcome here than in most journals, by the way.  And no, we don’t just use poems about snakes!


In terms of articles, we have resident columnists who provide material for each issue, but other articles are welcome, too. Query first. We almost always have room for more reviews (of books, workshops and various events) and interviews; the other stuff can be more tricky, depending on what we’re working on. We also occasionally publish articles about subjects that are somewhat peripheral to poetry, such as Tim Foster’s eulogy for Comicbook Writer Will Eisner. Again, ask first, before you put energy into a direction we don’t want to go.


In terms of artwork and photography, we have room for ‘most anything, and nudity is okay. Probably. Complicated, full-page color artwork might have to be discussed, though, given our creaky budget…


7. What kind of work don’t you like?

Pieces that are more than an 8.5X11” page long, or are hard to publish for some reason—lines too wide, e.g., or effects that depend on fonts I don’t have. We do publish the occasional naughty word, but try to keep that to a low roar, and if you send an obscene picture, it better have a good point. And I try not to include misogyny, though that can be hard to define. I hate it when my own work is rejected, so if I reject you, you have every right to know the reason why—ask! And no, I don’t send back “suggestions” as to how you can “improve” your work. I take it or I don’t. Somebody else may like it just the way it is; keep trying!


8. Any other suggestions for submitters?

Pretty much what I just said—keep trying! Big journals, little journals, good journals, bad journals, small presses and big, shiny ones. It is, as my friend Carol Frith says, a numbers game. But it also takes grit (and time, and organization) to be rejected and to bounce that submission right back (the sooner, the better) to another market.


And please present your work in as professional a way as possible: names/addresses on everything, follow the guidelines, don’t wheedle—and send your submissions in one packet—not one poem today, one tomorrow, and daily letters about things such as oh-by-the-way-could-you-please-change-that-comma-on-page-67… And editors really do prefer to receive more than one poem; we all like choices.


If you send editors one clean, organized, finished product that is a Sunday-go-to-meetin’, patent-leather-shoes-and-bow-tie-shiny-ready-to-rock&roll-package, you’ll have a much better chance of winning any wrangler’s heart.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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